Now it is a theater with a stage for the renowned displays of the dancers for guests to watch as they dine. The fact that the windmill’s sails actually turned as it lighted up definitely served as one of the eye catchers for 19 th century party-goers.Īs mentioned earlier, the interior’s dance hall was full of mirrors. Charles Zidler loved electricity and made the Moulin Rouge shine in the darkness of the night by being one of the first parts of the district to have electricity. Now, the reason why the Moulin Rouge became so popular even on its first night was not only because it had such extravagant features, but also because these very features were brightened up with light bulbs. It used Gothic Revival with its pointed arch windows and the use of quatrefoils. The architectural style of the tower is one that was commonly used during the 19 th century. It was thought of as a place where wealthy clientele would be able to use the Moulin Rouge’s brothel services. The gothic tower to the left of the façade was also supposed to serve a purpose similar to the elephant’s. This feature was scrapped when it was later rebuilt. The inside of the elephant was supposedly decorated with arabesque décor and was possibly Indian-inspired in theme due to the type of dances shown inside. It served as a location for the male patrons to enjoy as belly dancers performed on a stage put inside the creature’s stomach. The wooden elephant was added in 1900 for the Exhibition Universelle. Other than the red mill, it also featured a gothic tower and a garden with an elephant. In the past, Montmartre was dotted with windmills for flour but also served as dance halls. The use of the windmill originates in the history of the hill on which it was built upon. Its name when translated to English is “Red Mill” which is one of the main features found on its very façade which was designed by Adolphe Willette. A famous painter, Henri de Toulouse-Lautrec, even immortalized a scene from this very place in his painting entitled La Goulue. The very owners of the place called it “Le Premier Palais des Femmes” or “The First Palace of Women” with the beautiful Chahuteuses or can-can dancers scantily clad as they showed their flexibility and energy. The latter being the inspiration for a character in the movie itself. It opened its doors on Octoat the foot of Butte Montmartre under the management of Joseph Oller and Charles Zidler. It was the place for the rich to be surrounded by mirrors and loose women as they danced together on the massive dance floor. In its own musical, indulgent and extravagant way, the film shows the spirit that the Moulin Rouge embodied. The movie, named after the famed cabaret where it was set, presents to its viewers the story of the poor English poet Christian and the “Sparkling Diamond” of the Moulin Rouge Satin as they pursue after their dreams and their love.
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